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Howard Kravitz

Algonquin College of Applied Arts and Technology/Professor

2024 Salary — last year on the list

$129,473

Total compensation $129,532, including $58 in taxable benefits.

Source: Ontario’s Public Sector Salary Disclosure — names paid $100,000 or more that year. How we build this · Report an error on this page

At a Glance
2024

Employer Rank

#229

Algonquin College of Applied Arts and Technology

Years on List

11

2013–2024

Peak Salary

$129,473

2024

Full 2024 roster at Algonquin College of Applied Arts and Technology·See where $129,473 ranks →

Total Compensation History

Total compensation by yearLine chart of 11 yearly values of total compensation, from $101,596 in 2013 to $129,532 in 2024. No data for 2017.$100K$110K$120K$130K201320152018202020222024
Total compensation, 2013–2024. Axis starts at $100,000, the Sunshine List disclosure threshold.

Full History
20132024

Take-Home Pay
(After Tax) · 2024 estimate

Howard Kravitz was paid $129,473 in 2024; after income tax, CPP and EI that is roughly $91,706, an effective income-tax rate of about 25.2%. Within Algonquin College of Applied Arts and Technology, Howard Kravitz's total compensation of $129,532 was the #229 of 795, against a median salary of $124,580. Pension contributions — likely the CAAT Pension Plan in the Colleges sector — would typically trim another 7–10% off that figure.

Estimated net pay
~$91,706
Effective income-tax rate (excl. CPP/EI)
~25.2%
CPP + EI contributions
~$5,105
All-in deduction rate (incl. CPP/EI)
~29.2%
vs. 2024 Professor median
+1%

Where does $129,473 rank on the Sunshine List? →

Estimate only: 2024 federal and Ontario rates, basic personal amounts, Canada employment amount and CPP/EI credits; single, employment income only, salary treated as full-year income. Ignores pension contributions (OMERS, HOOPP, OTPP, OPTrust and similar plans lower actual take-home), union dues, RRSPs and benefits.

Also at Algonquin College of Applied Arts and Technology
2024

View all 795 employees at Algonquin College of Applied Arts and Technology (2024) →