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Claude Dubuc

Collège Boréal d'Arts Appliques et de Technologie/Directeur-Campus De Nipissing / Campus Director-Nipissing

2017 Salary — last year on the list

$103,978

Total compensation $104,106, including $129 in taxable benefits.

Source: Ontario’s Public Sector Salary Disclosure — names paid $100,000 or more that year. How we build this · Report an error on this page

At a Glance
2017

Employer Rank

#25

Collège Boréal d'Arts Appliques et de Technologie

Years on List

3

2015–2017

Peak Salary

$103,978

2017

Full 2017 roster at Collège Boréal d'Arts Appliques et de Technologie →·See where $103,978 ranks →

Total Compensation History

Total compensation by yearLine chart of 3 yearly values of total compensation, from $104,059 in 2015 to $104,106 in 2017.$100K$101K$102K$103K$104K$105K201520162017
Total compensation, 2015–2017. Axis starts at $100,000, the Sunshine List disclosure threshold.

Full History
2015–2017

$103,906 in 2015 is worth about $134,765 in 2025 dollars.

Full salary history, by year
YearPositionSalary
2017Directeur-Campus De Nipissing / Campus Director-NipissingCollege Boreal D'Arts Appliques Et De Technologie$103,978Benefits $129Total $104,106
2016Campus Director-NipissingCollège Boréal$102,239Benefits $154Total $102,393
2015Directeur-campus de Nipissing / Campus Director-NipissingCollège Boréal$103,906Benefits $153Total $104,059

On the List
2017

Collège Boréal d'Arts Appliques et de Technologie's 2017 median disclosed salary was $111,970; Claude Dubuc's $103,978 sat about 7% below it. Claude Dubuc was the #25 highest-paid of 35 people Collège Boréal d'Arts Appliques et de Technologie disclosed in 2017, with total compensation of $104,106. The 2017 Sunshine List recorded 131,909 disclosures of $100,000 or more. Records under this name have appeared on the Sunshine List at Collège Boréal d'Arts Appliques et de Technologie 3 years in all, 2015–2017.

Also at Collège Boréal d'Arts Appliques et de Technologie
2017

View all 35 employees at Collège Boréal d'Arts Appliques et de Technologie (2017) →